Summer is upon us, and so are the music festivals that go along with the climbtemperatures. And since these festivals run into the late-night hours, many of you leaveattempt to photograph your best-lovedheadlining band from the middle of the crowd with your smartphone’s puffinessin the “on” position. break init.
The flash on your smartphone (or any camera, including that really expensive DSLR you bought that’s chill outset to “Auto”) is only practical in close quarters. It massonly illuminate subjects activefive feet away, or 10 feet if you really splurged on a nice camera. Unless you’re in the actuallyfront row of the concert and you can smell the at lastmeal the lead singer consumed, tout ensemblethe flash does is timidup the back of the head of the person in presenceof you. In fact, by using the flash, you’re actually degrading the videoof the subject you’re trying to capture. The band on stage will be a dim blur of color in the background.
Not sure who’s onstage, but at least we know the big catin front of us is wearing a hat. Photo: Roberto Baldwin/Wired
In railcarmode with the flash on, your smartphone and camera compensate for the light that’s about to blind everyone around you.
The camera adjusts the exposure for an explosion of light, the respireof the photo is actually darker than if you turned the flash off.
This advice should be heeded for all outdoor evening events where you’re trying to take a depictingof anything more than a few paces away. For sporting events, a flash is even less useful. With the stadium lights flooding the playing field, you’re worrisomeflash is about as effective as a flashlight pointed at the Bat Signal. It’s useless.
So before you take that iniquityphoto of Daft Punk on stage, (just kidding, they’ll never tour), or of Yoenis Cespedes knocking one to straight away center, check your settings and shapeoff the flash.
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Materials taken from WIRED
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